论文标题

po-emo:德语和英国诗歌中美学情绪的概念化,注释和建模

PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry

论文作者

Haider, Thomas, Eger, Steffen, Kim, Evgeny, Klinger, Roman, Menninghaus, Winfried

论文摘要

大多数对社交媒体,文学,新闻和其他领域情绪分析的方法仅关注Ekman或Plutchik定义的基本情感类别。但是,艺术(例如文学)使参与更广泛,更微妙的情绪。这些已被证明还包括混合的情感反应。我们认为诗歌中的情感是在读者中引起的,而不是文本中表达的或作者意图的。因此,我们概念化了一系列美学情绪,这些情感可以预测读者的美学欣赏,并允许每行多个标签的注释在其上下文中捕获混杂的情绪。我们在注释实验中通过精心训练的专家和通过众包评估了这种新颖的环境。我们对专家的注释导致了Kappa = .70的可接受协议,从而为将来的大规模分析提供了一致的数据集。最后,我们基于BERT进行了首次情感分类实验,这表明在数据中识别美学情绪在我们的数据中具有挑战性,而德国子集的最高为.52 F1-Micro。数据和资源可从https://github.com/tnhaider/poetry-emotion获得

Most approaches to emotion analysis of social media, literature, news, and other domains focus exclusively on basic emotion categories as defined by Ekman or Plutchik. However, art (such as literature) enables engagement in a broader range of more complex and subtle emotions. These have been shown to also include mixed emotional responses. We consider emotions in poetry as they are elicited in the reader, rather than what is expressed in the text or intended by the author. Thus, we conceptualize a set of aesthetic emotions that are predictive of aesthetic appreciation in the reader, and allow the annotation of multiple labels per line to capture mixed emotions within their context. We evaluate this novel setting in an annotation experiment both with carefully trained experts and via crowdsourcing. Our annotation with experts leads to an acceptable agreement of kappa = .70, resulting in a consistent dataset for future large scale analysis. Finally, we conduct first emotion classification experiments based on BERT, showing that identifying aesthetic emotions is challenging in our data, with up to .52 F1-micro on the German subset. Data and resources are available at https://github.com/tnhaider/poetry-emotion

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